THIRD TIME, THE CHARM

Hard to say which was the most challenging part of my rebirth as an author after twenty years: writing the fourth book in the Matt Jacob series, TIES THAT BLIND, or getting up for presentations at bookstores and other events. Well, it took a couple outings to finally get legs under me. I had a lot of rust to shake loose. But as I imply in my title, I think I’m back.

sue3This past weekend Susan and I attended the Newburyport Literary Festival as authors and I gotta say, it was a great weekend. Susan had a solo presentation, as did I.

 

 

Mystery panel 2015 NLFBut first I was on a panel with two other crime writers, Rory Flynn and Elisabeth Elo.

 

 

 

 

 

 

An extra bonus–Jason Pinter, founder of Polis Books (aka my publisher and editor) was invited to be the panel’s moderator. We finally had the chance to meet in person after a year of two of telephone and email conversations.

J&ZHe’s an incredibly sweet man (and believe me, I’m a not easy on publishers given my writing history). Jason is an author himself, which gives him a sensitivity toward his writers that makes him a pleasure to work with.

Panel 4.25.15Even though I was there as an author, being on the panel also gave me a lot to think about in terms of writing. When I began to write detective fiction oh so many years ago, I stopped reading other mystery writers’ books. I worried that other authors’ ideas or attitudes would seep into my head and I’d somehow use them without even realizing it. But after almost twenty years working in the law world, I’ve come to appreciate due diligence. This time around, whenever I’ve had an appearance with other authors, I’ve read their latest books. And listened very carefully to what they say about how they try to make their stories come alive.

Rory spoke intensely about his vision that “place” is an actual character in his book, THIRD RAIL. And he’s right, his Boston is a multifaceted living entity, an important player within his story. Elisabeth spoke about the depth of her research into the South Boston fishing community. Her ability to turn that research into reality opened my eyes. As someone who lives and writes primarily from inside his own head, it was a pleasure to think about other ways artists approach their work and consider how to integrate them into my own methods.

Z11The Festival took place in many different locations throughout beautiful Newburyport, a coastal New England town dating back to 1764.  My solo do took place at the Jabberwocky Bookshop, always a bonus to appear at an independent bookstore.  I arrived early and when I saw just a sprinkle of people there, I considered tossing my presentation, and inviting folks into a roundtable discussion.  Impatient me.  By starting time, a good number of people had turned out, including a local friend and a good friend’s sister and her husband.  I was pleased they came to this particular presentation because it was the best yet.  I guess I’m officially out of retirement.

Before I finish I want to say a few words about the Newburyport Literary Festival. Of course Sue and I were delighted to be invited, but there’s more than that. We’ve all been to conferences and festivals before, going from one presentation to another without much thought of the work it takes to have them there. This time I was very aware of how many months of planning, inviting, and replacing it took for the steering committee to pull the Festival off. And then the endless running around on the day itself to make everything look effortless.

Somethings you just can’t plan for. My panel was located in the Fire House Arts Center, and as I was consulting my map to walk there I saw firetrucks with flashing lights. How cool, I thought to myself. They actually got firetrucks to signal the location to those of us unfamiliar with Newburyport. Actually they had been called because there was a minor gas leak in the building. Nobody could enter until National Grid signed off on the fix. I’m in the clutch of people trying to be warm, hoping the firemen had a different telephone number than I have for National Grid, or they AND the panel hold be on hold forever.

Luckily they did. And members of the steering committee and a serious cadre of volunteers were able to keep the audience rallied while waiting in the outdoor chill and kept the event on track.

Thank you Sherri Frank of the steering committee for inviting us to this tenth anniversary experience and thank you all for coming out. Thank you my compañeros for your insights, and thank you Jason for not asking me to write Matt Jacob into a 12 Step.

I’VE COME OUT (PT.2)

Life is strange, isn’t it? When I originally stopped writing for a living I really doubted I would ever return. Yet I find myself writing and collaborating with a publisher for the second time in my serial career after trying my hand at self-publishing. Clearly I’ve returned to a much different landscape than the one I left.

Funny how these second and third acts began. When my books originally went out of print, I retrieved all their rights because I wanted to leave them to my kids. (Why, I don’t know. It just seemed like a good idea at the time.) Then, once I had ’em and learned about the world of eBooks, I thought, why not? I’ll just publish them myself.

Well, now I can tell you why not. Then, I really didn’t know what I was getting into in terms of time, money, and energy. The paper copies of each book had to be scanned, which is not a particularly precise process. Back and forth, back and forth from book to scan to make certain all the words and punctuation were correct. Then, each book had to be formatted three different ways. One for Amazon, one for Barnes & Noble, and one for a distributor called Smashwords, which feeds all the other type e-readers.

Yep, you guessed it. After the books were formatted I again had to review each book in each of the three different formats. By then I was not only hating the books, but hating myself for getting into all this. But there was something exciting about it, too. I was working with talented web designers to set up a permanent site and my artist friend Michael Paul Smith on creating new book covers. Also, there was something exhilarating about taking charge of my own work and learning about a new world of publishing.

Once the books were in the marketplace they really didn’t sell very well, but at least they were there, still assessable to those who wanted them—or could find them. It ain’t easy for an individual to cut through the Internet’s noise, especially since I really didn’t have the fever to go full-scale self-promotion. On the other hand, I had all of them with their brand new covers on my Kindle–as well as the rights for my kids.

Sometimes you really do have to be in the right place at the right time. A good friend who has worked in all aspects of the writing world told me about Jason Pinter, who was taking a leap of faith and leaving his work in traditional publishing to create a primarily internet oriented publishing house called Polis Books. Jason was looking for writers with back-lists but also new books swirling in their heads. She suggested I email him and, within a very short period of time, Jason and I agreed to work together and created a fair contract for both of us. (Which included a reversion of rights back to me after a very reasonable amount of time. You know—for the kids.)

Ah, that new book. When I began to seriously dig in on TIES THAT BLIND I realized I wasn’t in Kansas anymore and needed a way to seamlessly bring Matt and the recurring characters into the now. While I had always tried to frame Matt’s and my other characters’ ages as vaguely as possible, there was no denying our society and culture had undergone technological and cultural revolutions I simply couldn’t ignore. That even Matt, despite all his resistance, couldn’t ignore. I had to incorporate the “time gap” without losing the basics of my people—especially Matt, who had always been less future oriented than most. This was the guy who wouldn’t own an answering machine.

On the other hand, revisiting a main character created a fairly long time ago is a strange do. It almost felt as if I were being reacquainted with a long lost friend or relative. But having thoroughly reviewed the previous three books, I felt that while Matt needed to change, and I had changed as a writer, the essence of who he had been, and the writer I had been, would remain intact. Even in our brave new post 9/11 world.

Thinking about these issues created part of my excitement about TIES THAT BLIND. The other part was that Jason encouraged me to write the book I wanted to write and not to concern myself with traditional mystery conventions. So I didn’t, and was finally able to write a book that places introspection and interpersonal relationships front and center while telling what I believe to be an exciting story at the same time. Apparently Jason felt the same since he decided to publish the book as both an eBook and a trade paperback.

Many years have passed but I’ll never forget the rush of excitement when STILL AMONG THE LIVING was first published—even though Kirkus’s pre-publishing review was less than kind. (I’ll admit to a serious degree of nasty satisfaction when STILL was chosen as a New York Times Notable). Even that lousy first review, my first taste of public judgment, couldn’t quell the pride I felt holding my author’s copy for the first time. Writing, overcoming self-doubt, more writing, holidays spent in my office staring at blank screens, then writing some more, had become tangible and something in which I was proud.

Well, I’m older now and less exuberant than back in the day. Nonetheless, the re-birth of my first three books is fulfilling. For myself, not for the kids. I feel great satisfaction in producing TIES THAT BLIND, a book I believe in, without fighting my publisher every inch of the way. And yes, it’s still a thrill to open a Fed-Ex box and hold onto my author’s copy.

PREPARING TO RELAUNCH

by

Zachary Klein

Those of you who read this column already know that Polis Books is publishing the original three Matt Jacob novels as e-books, individually and as a set, then my new one, TIES THAT BLIND, both as an e-book and paperback. What most people are less aware of is the preparation it takes to create a successful relaunch/launch, for both the publisher and me.

If you’ve been to this site before you’ve probably noticed some significant changes with more to come. First and foremost are all the new covers for each book. Soon there will be links to where they can be bought. And while I cherish Michael Paul Smith’s cover designs that I used when on my own, I also appreciate the care and concern that Jason Pinter, founder and publisher of Polis took to create each of the new ones.

One striking difference from now and my experience at traditional publishing houses was Jason’s desire to include me in the cover design process. A whale of a change from when I’d see the covers of my books only after they were published. That’s just how it worked. Instead, Jason sent me multiple mock-ups of each book’s cover. Not only was I given a choice of the different pictures, but also the opportunity to mix, match and discuss the results with him.

For those who never worked with legacy publishers, that sort of care and connection was (I can’t speak for the present) non-existent. To say I’ve been pleased to have embraced this new world of publishing would be a huge understatement.

But where the rubber really met the road was in working with Polis Books after I submitted TIES THAT BLIND. Again, I was used to editorial demands to change the novels’ main character. “How can anyone drive having taken a 5mg valium pill?” Or, “It’s time to place Matt into a 12-step program.” Or, “Change the ethnicity of a character in NO SAVING GRACE.” How about being told that a murder needn’t happen in the first forty pages, then getting thumped when I didn’t have a murder in the first 40 pages? And these were only a few. Each submission was the beginning of a fight. An ugly fight I came to despise.

So you can imagine my pleasure when I received well thought out comments from Jason. Comments that made sense and helped make Ties a better book. This was the first time I didn’t have to argue about Matt’s personality, a book’s interpersonal relationships, or engage in “comma wars.” He also appreciated that this novel doesn’t adhere to the traditional detective fiction framework. It’s been something that I was edging closer and closer to from STILL AMONG THE LIVING to TWO WAY TOLL, and finally NO SAVING GRACE. In fact, this is a wave that’s been happening with other detective fiction authors and one that fits with my work. As I’ve mentioned in other columns, I think detective fiction and jazz are related. Some musicians have broken through the boundaries of their time and redefined their contemporary music. They feel as if they can experiment with the form, create innovations and variations, but it’s all jazz nonetheless. I can’t claim I’ve done that with TIES—but I can say it’s an honest attempt to place all the characters’ relationships at the forefront and let them define and drive the drama.

Truth is, if it wasn’t for this new age in publishing I probably would never have written this book. Writing is difficult and this is a novel that occurs at much later point in time than the first three. Truth also is that I’m grateful in many ways. The book allowed me to maintain continuity, but also move beyond where Matt had been before. It forced me to look at the aging process in terms of Matt’s personhood, lifestyle, and listen to his older voice. And I’m extraordinarily happy that I did because it stretched my abilities. Something that I still enjoy.

There are a lot of people to thank for their support and encouragement along the way. Kent Ballard for covering the fort on alternate Monday columns while I finished my revisions. Sue for her encouragement, and Sherri Frank for holding my feet to the fire and providing insightful comments all the way through. It ain’t easy reading the same book twenty times or more to get it right. And getting it right feels harder than it had been—I don’t know whether that’s because I’m smarter now or just older. But whatever happens with TIES, I’m truly pleased that Polis Books helped make the book the best it could be. And, although it can stand on its own two feet, I really hope people take the time to read the first three e-books. It’s always richer to know how a character grows and changes. I think it’ll add to the enjoyment of this one.

The trouble with young writers is that they are all in their sixties. ~ W. Somerset Maugham

Death of a Cold Warrior

BY

               Kent Ballard                

 For years, Stewart Alsop wrote the full back-page socio-political column for Newsweek magazine. In those days there wasn’t a bulier pulpit to be had. I started reading him while still a teenager and got hooked for some unknown reason. He was a great writer, one of the very first guys I ever saw who could shoot thunder and lightning from a page. He didn’t do it every week but he did it when he wanted to. Sometimes you would come to the end of his column and simply sit and stare at the page because you did not know what to think. I thought he was a Commie one week and a Nazi the next, but most of that might have been the mirror he held up to America in the last years of the 1960’s and the first few years of the 1970’s.

The guy had everything going for him. Vast audience, great writing, dinners with the President, luncheon meetings with Congressional leaders. Smart politicians courted him and smarter ones never crossed him. He was often a guest on Sunday afternoon TV political talk shows. He wasn’t handsome, kind of a plain-looking man. He knew this. He was bald and was the first one to point it out on panel shows and then laugh about it. No one laughed until he laughed. Then everyone laughed at once and stopped at once and watching their actions gave you the understanding this was a powerful man.

By then I had the habit–like many others–of reading Newsweek backwards. You opened the back cover of the magazine first to see what Alsop had to say about the previous week’s glory/horror/tragedy/amazement/bewilderment. Imagine a guy like that coming to his full power in the 1960’s. There were endless new things a columnist could write about but one week he wrote of surgeons and doctors and bad luck and closed his column by telling his readers that he had been diagnosed with inoperable cancer and was given six months to live. He said he would stay at his typewriter as long as he possibly could.

And then the world gathered around to watch him die in inches, a little each week.

Sometimes he’d fool them. He’d go for three or four weeks, hammering and railing about this or that and we all wondered if he had forgotten he was supposed to be a dying man. Then he would write a column that haunted your soul and told you precisely what it felt like to be in his shoes and it was not a pleasant feeling. If memory serves, he said one surprising thing that bothered him were ticking clocks. He could wrap himself in his work and usually stay busy enough to distract himself. But…ticking clocks. They were another thing that came out of nowhere to trouble him. He wrote about how silly that was. He joked that he’d watched Alfred Hitchcock too often and followed that with what Hitchcock said to him just the other day about the matter. And why he suddenly felt sorry for Hitchcock. And then how everything hit him at once like a locomotive. He’d made a sad and terrible mistake. Hitchcock was not dying. He was. He said moments like that we becoming more frequent and harder to shake.

We all stepped inside his hospital room. He said he’d made his peace with God and was as prepared as he could make himself. But now the cancer had advanced to the point he had to schedule his writing around medication times. And he described how badly it hurt and we all felt the pain in his words as if we were there.

And that’s when he wrote the column, one of his last, that said something unexpected from an old Cold Warrior.

He was dying in a time of ignorance, he said. Only morphine–or better yet–heroin could ease this level of pain. No amount of synthetic painkillers could touch it. He’d already had the conversations with his doctor and attending pharmacologist. He knew this time would come. But knowing that and bracing himself against it had done no good. He had hoped and prayed they were wrong, like all terminal patients do, but they were not.

President Nixon had been wrong too, Alsop wrote. He’d been wrong on one count with his new declaration of war on drugs. The new-found DEA had been set loose with the wrong sense of direction. They should have been tasked to beat away the terrible man-made street drugs, to wipe America clean from them indeed. But not opiates. Not heroin. You could almost hear the man struggling to breathe at this point.

No, he said, not them. They should be reclassified. They should never have been classed with other street drugs that were dangerous and highly addictive because they were more than that. They held the final glimmer of peace in this world for the dying, the freedom from pain. They alone were all that man had at the very end. Alsop said Nixon had done well when he rightfully championed billions of dollars into research and challenged America to find the illusive cure for his other highly publicized war, the one on cancer. But it would never come in time for Alsop or millions of other Americans every year and it has not arrived yet. Alsop pretty much called Nixon and Congress out of the saloon for one last showdown to rectify their mistake, but he would not live to reach for his pistol. I think this was his next-to-last or third from last column. They said he was lucid to the end but in unimaginable agony.

There remains to this day a controversy whether Alsop was provided heroin at the final stage of his life. Even under a doctor’s care that would have been illegal, both then and now. But he seemed to rally at the end, writing with his same power and grace. We may never know and, in my book, it’s best not to question such things. What is left for us all to question is how we will exit this world, and if the federal government will hound us to our very graves claiming that it is correct.

Today many doctors refuse to prescribe pain killers powerful enough to be worthy of the name. Others will not prescribe any. The curse of addiction and all its attendant evils needs to be fought, no question of it. It’s easy for an innocent person to become addicted to painkillers and narcotics prescribed for a variety of reasons. It would be easy for you, too, unless you are a superior life form which will never break a bone or succumb to a painful illness. But you might take a few moments to ponder, as Stewart Alsop did when faced with his eventual death, the risks and benefits of powerful drugs for those who will not live long enough to become a problem to society yet have nowhere else to turn.

TWO DOWN NONE TO GO

IMG_2949I knew there was a problem the moment it happened. First snowfall of the winter and the first winter without Jake’s young, brawny arms living with us. Sue was crystal clear: stay inside and she’d dig everything out.

I waited until she geared up, went downstairs and began digging before I dressed and followed. Sue started yelling as soon as she saw me, but I pretended not to hear. No way I was gonna let her do the porch, stairs, walks, and cars by herself.

I knew enough to protect my right shoulder from any heavy lifting given my surgeon’s warnings that the last operation was a “one and done” deal. But I was too dumb to protect my left shoulder from overcompensating.

By the time I was back upstairs my left was throbbing and I should have let her shovel alone because a steady diet of Advil reduced the pain, but never took it away.

You might think one dumb was enough. Not me. Why stick with one when there’s more on the table? Rather than going to my doctor as soon as I realized the hurt wasn’t about to vanish, I decided to just live with it until just before Sue and I went to Mexico in the spring. Then I paid a call to my doc and received a cortisone shot to be as pain-free as possible during the trip. I also really harbored a belief that the shot would clear up the problem once and for all.

Well, at least it worked for the trip but not the “once and for all.”

Still, I hesitated making another doctor’s appointment upon our return. My gut knew another doctor visit meant another operation.

I finally went and my “gut” came true. But what surprised me was the surgeon’s announcement that the surgery had to be done the following week. I had dreamed of delaying it for a year—or, at least until after November so I could introduce myself to my newly born twin granddaughters without looking like a monster movie poster. And be able to somewhat comfortably hold them.

Wasn’t happening. He made it absolutely clear that that any delay would cost too much range of motion in my arm.

Suddenly the operation became a no brainer.

"Stone walls do not a prison make"

“Stone walls do not a prison make.”

Nevertheless this “no brainer” filled my head with dread. I remembered all too well being stuck in a recliner, unable to get out on my own, for months and months. Remembered all the times I had to call Jake in the middle of the night to help me out so I could use the john. And this time there’d be no Jake to call.

Nor was it going to be six months. Turns out there’s a new way to do shoulder surgeries and while the recovery pain is the same, the recovery time has been greatly reduced. This recovery period was just gonna be around six weeks, but the pain will be much better than my other arm when all is healed. Which Jake reminds me of every time I start feeling sorry for myself.

And no, he hasn’t moved back into the house. He used brain, not brawn. He Craiglisted to find and buy a motorized recliner that allows me to get in and out by myself. It really has made this recovery a whole lot more tolerable.

Truth is, this is really just a 1st World problem. People throughout the globe live without doctors, painkillers, operations, and limbs.

Which, in some ways has made sitting in the house more difficult. Every morning coffee is filled with newspaper horror stories. Makes me sick while I sit around waiting to use my arm. And man, after reading the papers I really want to hit something.

But that’s a price you pay when living in the belly of the beast. The contradiction of a life comfortably lived—shoulder pain or not—while most of the world exists in squalor.

Only these days I’m much less focused on my own life contradictions and much more concerned about the lives of all the kids and twins. What goes around, comes around is never far from my mind. Fact is, we can’t be bogarting most of the world’s resources and imagine this can last forever. There will be a price.

So I mostly focus on my return to writing, try to be a decent partner, friend, and father. Which I’m sure, like the shoulder I fucked up, I’ll mess up more than once. Nonetheless, I’ll keep trying.

The world will take us where it wants despite our meat-headed grandiosity.

IMG_2958In any event, it’s good to be back writing Just sayin’ and once the meds actually wear off I hope to fill the columns with more outrage, reviews, hopes and Interviews with the Dead. In other words facts, fiction, and guest posts. In other words, I’m back.

I also want to thank Kent Ballard for the last column. I found it moving, thought provoking, and deeply personal. What I call “writing from the heart.” Thanks, friend.

You can’t depend on your eyes when your imagination is out of focus. ~ Mark Twain